Depending on your view of what's fair and how stardom is supposed to work, the crowdfunding model may not be the best way for projects like Zach Braff's Wish I Was Here or the Veronica Mars movie to bridge the gap between their creators' hearts and the audience's eyes. On the whole, though, it's a fairly exciting step forward for independent cinema, and documentaries like the gut-wrenching Rich Hill offer painfully compelling proof.
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